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A genre-bending, slice-of-life story based on Stephen King’s three-chapter story about an ordinary man named Charles Krantz. Tom Hiddleston, Karen Gillan, Chiwetel Ejiofor, and David Dastmalchian have all appeared in the Marvel Cinematic Universe, though none of them share a scene together. Hiddleston is Loki and is best known for the Thor (2011) films and the Loki (2021) television series, Gillan is Nebula and is best known for the Verndarar Vetrarbrautarinnar (2014) films, Ejiofor is Baron Mordo from the Doctor Strange (2016) films, while Dastmalchian plays Kurt in the first two Ant-Man films, and Veba in Ant-Man and the Wasp: Quantumania (2023). Flynn’s Front Row Quote: SLEEPING DOGS: Karen Gillan, Adam Cooper, moderator Perri Nemiroff (2024). In short, Mike Flanagan has created a profound, complex, yet beautiful film about the value of life. It’s hard to explain, but Flanagan doesn’t waste a single shot. There’s a narrative thread running through the film, but from “Act Three” on, everything you see and experience unfolds perfectly in “Act One.” Ejiofor and Gillan are great in Act Three, but if Life of Chuck were to be nominated in any category, it would be for sound. From the cosmic elements in “Act Three” to the dance scenes in “Acts Two and One,” Flanagan does an exceptional job of weaving sound into the whole thing. Of course, everyone focused on Hiddleston and his character, but Tom even said that Act II was really a team effort, as was Annalise Basso, Hiddleston’s dance partner in Act II, and Taylor Gordon (who appears in the credits as The Pocket Queen), a street performer, all three of whom, along with their choreographers Mandy Moore and Stephanie Powell, make the dance scene sing. Taylor Gordon is a true talent in her short but excellent role. I was surprised that Act I had a young Chuck in it, and no one mentioned how great the boys were. Their performances were just as great as the adults’, if not better, when young Chuck listens to a very disturbing monologue from his grandfather (the amazing Mark Hamill) about certain life choices. The first act really helps piece together the puzzle that was Act III, where the cosmic elements may be unpleasant, but everything has a purpose. Stephen King is right when he says that The Life of Chuck is one of the good books. The spirit and energy are palpable from beginning to end, and with all the actors giving their all, Flanagan solidifies his position as one of the greatest directors working today. I can say one thing: The Life of Chuck is dedicated to the memory of Scott Wampler. There are a few cameos in the movie The Life of Chuck, but Scott’s presence just hit me in the heart. Great movie.

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